Tuesday 22 October 2013

Results from my Focus Group - Audience Research

These are the questions that I asked in my focus group:

Questions:
1. What do you look for in a music video?
2. Do you prefer Abstract or Narrative Music Videos? Why?
3. At the moment do you have a favourite Music Video? Why do you like this Music Video so much?
4. What conventions do you expect to see in a Music Video, when it comes to Dubstep, and electro music?
5. How many hours a week do you spend watching music videos?
6. What things do you see in a music video, which allow you to relate to it?

7. In your opinion why are Music Videos important?

Carrying out this focus group was extremely helpful and allowed me to fully understand the people that I'm aiming my music video at. All the responses I received were extremely helpful and I will definitely keep them in  mind when considering my  music video. The first question I asked was of course what people actually look for in a music video. The responses I got was that generally when people watch music videos they look for all sorts of different things, it all depends entirely on the meaning of the song, what the lyrics are trying to convey to the audience, and of course the most important thing is the genre of the song. When considering this response, it makes sense. If we were thinking of rock/metal music videos then people would be looking for the excitement, the head banging, the dark clothing and the screamo vocals, along with the heavy guitar riffs. This would be a similiar idea if we were thinking of pop music. In a pop music video you would probably expect to see a use of brighter colours, perhaps lots of dancing and a general high tempo beat. All in all however it is clear that it all depends on the genre and what they are trying to convey.

The next thing I looked at was whether people preferred abstract or narrative videos, and I got some very different responses to this question. Some people agreed that narrative music videos were better and that there were many positives to having this type of music video, one of the most obvious being that a narrative video does actually back up the lyrics of of the songs and therefore creates a better understanding of the song, which is one of the most important things, because an artist will always create a music video to convey some kind of story towards the audience. A narrative music video is also quite straight forward and most are generally very easy to interpret and understand, this is good because of course it means that we as the audience, can clearly connect with the artists emotions, giving us more of an idea about what the song is about. On the other hand an abstract video would be very interesting because  we can see the different unique perspectives on ideas and story lines, and different stories are portrayed in a unique abstract way.

Another question I was curious to find out about was if people had any particular favorite music video's at the moment, that they had particularly enjoyed. One of the most popular by far was Aviici's "Wake me up". People said that the things that they most enjoyed was the way that the the action matches the tempo of the music, so when the beat kicks in and she is on a huge maze-like field, she suddenly speeds up on the horse, along with the beat of the music which also quickens. This shows us that what people enjoy most is structure to the music video and  way of doing this is perhaps syncing the actions and speed at what something is happening, to the music, which helps capture and excite the audience.

Next I asked what conventions that people would expect to see when it comes to dubstep/electro music videos. This is a very interesting question, however I did get very similar responses. People said that they would expect to see things which would create a crazy, exciting, fast atmosphere which portrays an exciting party lifestyle. We would expect to see things such as flashing lights, parties, people getting drunk and having fun. This idea was the same when I asked other people, the whole idea of this fun music is to just let go and have fun and not care what others think. We see that dubstep is a very fast type of music, and creates almost a "festival" atmosphere for even a whole group of people in a room, who may not neccesarily know each other, but who are connected by the reverberating beats of the music that are vibrating through the room.

Next I asked how many hours a week, do people tend to listen to music, and people once more came back with similar responses, most people do tend to listen to music videos for at least a couple of hours a week, which if you think about it, is a lot of music! People tended to listen to music videos online, on sites such as itunes, youtube etc and also on the tv on music channels such as 4 music. The idea that an average person listens to over an hours music each week is quite astounding and shows just how much music has become part of todays society and the way it is now a bit part of our lives.

The next question revolved around what people think they see in a music video which allows them to relate to the music video and the music in general. Again people agreed that there were many different things in a music video which allowed an audience to relate to it. It would depend on things such as the genre or the song in general, this is the most obvious thing because of course if you aren't interested in that particular genre of music or the song, then you won't be able to connect to it at an emotional level, or any level at all! Another important thing to think of is the mise-en-scene of the music video, this is important because the way that the artists are dressed and the props that are being used is a big part


6) Depends on the genre/song. the  mise-en-scene, how they're dressed,they're props, the narrative of a song.


7) Help reinforce meaning of song, sells the artists,  a way to advertise the artists, its a oney making thing on youtube, on wrecking ball, the peoplewho have an advert before the wrecking ball video will make a fortune because there will be millions of people clicking and watching the advert.     

Audience Research













My Focus Group - Audience Research



Above you can see my the Focus Group Video that I created. I had a long hard think about my questions to make them appropriate and to provoke helpful responses which I can then use in the future when beginning to create my Music Video.

These are the questions that I asked in my focus group above:

Questions:
1. What do you look for in a music video?
2. Do you prefer Abstract or Narrative Music Videos? Why?
3. At the moment do you have a favourite Music Video? Why do you like this Music Video so much?
4. What conventions do you expect to see in a Music Video, when it comes to Dubstep, and electro music?
5. How many hours a week do you spend watching music videos?
6. What things do you see in a music video, which allow you to relate to it?

7. In your opinion why are Music Videos important?

Friday 18 October 2013

History of Medium

History of Medium

History of Music Video

Music Videos have drastically changed since they came about in 1895. Strictly speaking the first music video wasn’t actually a music video, it was a film with music in the background.  This film was actually made for the Kinetophone. The Kinetophone could be considered a very old piece of technology, yet the closest to our modern day technology in regards to film making. This piece of technology was actually made by Thomas Edison’s lab and it basically worked by showing moving pictures, and was also connected to a Phonograph.



In the early twentieth century, things changed drastically for the music video industry. In 1894 a publicity stunt was introduced. This involved marketing sheet music, the illustrated song actually consisted of images which were painted in color and then from this were then projected from glass slides (very much like a projector in todays day and age)  you would even sometimes see silent moving images clips, used too. This would often be shown to an audience, while singers and pianists would sing and play music along with the the images. 

In Rivoli Theatre of New York City, In April 1923, we were first introduced to motion pictures with "on-film-sound" which was quite a breakthrough. A couple of years later in 1927 the first full length "film" was premiered, using the newly found technology allowing music and sound to be put with the images. A lot of the first "sound on film" productions actually starred opera singers, popular musicians, bands etc. These were hereby known as musical shorts, and these clips could be seen just before the feature films, in the 1940's. Again during the 1950's these musical shorts were used once more between the screenings of television movies, much like advertisements between films you see on television today.


When the animated series which was called "Song-car Tunes", which has sound-on-film, debuted, the two Fleischer brothers, Max and David actually released this cartoon which in a nutshell featured a bouncing ball which simply hopped along the lyrics, therefore encouraging the the theatre audiences to sing along. This "Bouncing ball" idea became more and more popular as the years went on and appeared in many future children's programmes.



When it got to the 1940's, soundies which were three minute films which presented dance/music performances were shown on jukeboxes all across the United States and were normally found in places like restaurants and bars. All sorts of artists featured on these jukeboxes ranging from comedians, musicians, jazz singers etc, and as well this in France, in the 1950's a form of visual Jukebox also had some success in europe/united states and also presented similiar things to the bog-standard "jukebox".



In about 1959, this was when film clips with music in the background first gained the name "Music Video", because people such as Singer/songwriter Jiles Perry Richardson were a couple of the first people known to refer to such a medium as a "Music Video", who used this term in an interview with a british magazine. The singer from Chantilly Lace was also known to be involved with the earliest known rock videos in 1958.

By the 1960's The beatles began to really put together music and movies, and make it look very effective at the same time, and used this to express themselves as artists. The beatles also starred in feature films, which were full length such as "A Hard Days Night" among many others, and they also starred in many short promotional clips, which were considered narrative or abstract, these were then broadcast all over. By 1960's/1970's many other rock and roll bands followed their lead and began releasing promo videos.







In 1974, countries such as as Australia began with programmes like "Countdown" and "Sounds" these were both considered teen programmes which primarily shown music videos, as the years went on they began to get more and more of a "following". By 1978 which was actually just three years before MTV was launched, "Video Concert Hall" began which would offer audiences many many hours of music videos, on US television.

This was generally where and how the Music video started, and from here it evolved and became what it is today.  

 




Thursday 17 October 2013

Inspiration from Existing Music Videos

Rihanna - Disturbia

http://www.youtube.com/watch?v=E1mU6h4Xdxc

 

 Throughout this music video there are lots of features included which make this music video stand out, and appear more exciting and interesting. We see the image blur on multiple occasions, the idea of this is to make the image appear distorted and eerie, this is to create the idea of confusion and panic, which are two themes which continue to appear throughout the music video. The actual video at certain parts appears to be sped up, this is to make the action happen quickly and once more replicates the panic and fear that is communicated to us. If we look closely there is evidently a huge use of cuts, these cuts, when strung together also create the impact of fast action and also make the peoples actions in the video, appear more puppet like, which again looks quite scary, because it seems as though the people can't control their own actions. We see parts of the video where there are two different shots layered one on top of the other, the one on top being slightly faded so that you can still see the shot layered underneath. This again makes the video seem distorted and strange and creates the idea of going mad and insane and almost makes you feel like you are seeing things. Near the beginning of the video it uses a pan and curved downwards from focusing on the artist Rihanna, to the ground beneath her feet, the very movement of the camera on this shot replicates someone collapsing to the ground, which in it self appears quite disturbing towards the audience as they watch on, it could represent the idea that sometimes you fall but you always have to get up and move on at the end of it.

Skrillex - Make it Bun dem

http://www.youtube.com/watch?v=BGpzGu9Yp6Y

   

 This music video is also very unique in how it presents itself. We see that almost all the way through the video is very slow and it seems that all the action through the use of editing has been slowed down, to create more of an impact. The idea that all the action has slowed down almost emphasizes the parts of the video when the music beat quickens because as this happens the action in the video appears to happen a lot more quickly, this contrast between the speeds of the footage draws in the audience and makes us want to know what happens next in the narrative of the video.

Skrillex - Ruffneck

http://www.youtube.com/watch?v=_t2TzJOyops

   

 This music video is narrative but with elements of an abstract video threaded into it. We see many strange camera angles and shots used to make us as the audience feel disorientated. The main idea of this music video, in my opinion is the idea of losing control to the point of drug use and overdose. The main subject of the video is clearly under the influence of drugs, and appears to be going through a psychotic phase, which we are also allowed to explore. There are parts of the the video where the camera zooms, swivels, blurs, quickens or slows down the pace of the video, all of which collectively create the effect of going insane.

Knife Party - Bonfire 

http://www.youtube.com/watch?v=rEhjwJnTczA



This music video is very stereotypical in its content as an electro/dubstep music video. It shows a young male being bullied, however we also see the use of flashing lights, the party atmosphere, the excitement, and people dancing and having fun and basically letting go of all their problems, which is what I believe dubstep/electro music is all about. We see the use of lots of close up shots of different things within the shot. for example a close up shot of the DJ's equipment, and close up of the lights, lasers etc and the dancefloor and the people dancing. The way that we immediately see the close ups of these different things, confuses the audience for a moment, but also represents the way that this music belongs to the group of people, normally stereotyped as young ravers, who just enjoy having fun, without thinking about what they doing. Ravers are stereotyped as people who take a varied group of drugs to help them loosen up and have fun and the camera shots and angles that we see allow us to understand how they feel slightly disorientated because of the drug use but are having fun at the same time. On the other hand it represents many young people today who go out and drink and dance in nightclubs, because again the video communicates the drunkenness but the idea that this whole group of people collectively are all there to have fun.